Thank you, Papa Gates! Also, the description of the lesson is pure gold. I've heard Syn mention "enclosure" in the masterclass in which he plays jazz manouche, but didn't get the concept. The description here is all that's needed. And there's so much to be gained from this approach. For example, an A minor arpeggio. Instead of enclosing the A note between G and B, it sounds just amazing between G# and B. I'd say even darker between G# and Bb. Then the E note enclosed between Eb and F. Tons of cool ideas. So huge, huge thanks to both of you!