:syngates:Yo Family! For June’s #AOTM we are going with one of my fav records of all time and certainly my fav prog record of all time in Images and Words by the great Dream Theatre.
This was another band introduced to me by Jimmy. He used to sneak a Walkman(look it up kids) to school and play me ridiculous shit in the bathroom. This one stood out as having the most incredible musicianship I had ever heard. I was 13 when he played this record for me and it changed the way I looked at guitar. I had no idea that what I was hearing could be accomplished on the instrument I had already spent years working on.
Dream Theatre is a progressive rock band that formed in 1985 in the halls of Berklee School of Music in Boston. There have been multiple lineups but the Images and Words cast comprise Mike Portnoy on drums, John Petrucci on guitar, James LaBrie on vocals, John Myung on bass, and Kevin Moore on keyboards.
John Petrucci has been one of my favorite guitarists rotating in my top 3 since the very day I heard this light show of a record way back in middle school. He certainly epitomizes my way of approaching the guitar more than any other player besides maybe my father - with an endless pursuit of technique and harmony only to facilitate a melody and composition first approach to solos and songwriting.
This motif and melody first approach has yielded some of my favorite solos of all time and couple that with the pyrotechnics weaving in and around these flawless melodies and motifs make for a perfect combination of music and cinema.
As a student of percussion as well, I was moved by how Mike Portnoy seamlessly and so fluidly supported all of these incredible riffs and time signatures in such a musical and cinematic way. And as smooth as this cat could play, he still managed to make the music heavy as fuck. Listen to Under a Glass Moon for one of the greatest grooves of all time. The entire record is a clinic on how a drummer can steal the show at no cost to his co stars and director.
If there was a dude that I would’ve done unspeakable things to sing like, it would be James LaBrie. The range, the soul, the technique, the texture, the everything. This dudes got it in spades. It’s such a slippery slope to not take these songs and turn them into overly dramatic novelty uber dramas. James does no such thing. Flawless victory.
John Myung is as gifted as the aforementioned. He doesn’t just support the band, he comes bearing gifts. I’ve transcribed thousands of difficult musical passages in my life and I still have no clue wtf he’s doing in Metropolis, part 1 at 5:40
And last but certainly not least, Kevin Moore on keys. Total stud and one of my favorite songwriters of all time. He wrote a lot of my favorite songs on this record. They’re all great songwriters but Kevin speaks to me on this record.
Lastly, some or many of you know that Mike helped us out when Jimmy passed in late ‘09. We were putting the final touches on Nightmare when our world was shattered. For a couple of weeks we had decided to not move forward as it wouldn’t be right without Jimmy. Two main components quickly changed our minds. The first was The Sullivan’s. Jimmy’s parents and sisters were like our parents and sisters. We grew up with them. We love them dearly. They told us we had no choice in the matter because Jimmy would’ve demanded that we continue on. The second was Mike Portnoy. I’m sure somebody spoke of it before me but I know that the choice was clear to everyone when the decision was made to move forward. We needed one of Jimmy’s favorites to lift us up and realize the dream of putting out Jimmy’s final work.
Much like Petrucci is the influence that speaks the loudest on my sleeve, Mike is arguably that for Jimmy and certainly the best contender to have executed Jimmy’s unique and brilliant vision for the record. Mike walked in, hung is ego at the door and spent countless hours copying meticulous kick patterns and fills without complaint.
Of all musical elements, style is by far the most difficult to emulate. He hung in there and didn’t stop until we were all beyond satisfied with the performance. Of course we had him do his thing across many of Jimmy’s unfinished drum demos and then fully unleashed the beast on the closer, Save Me. Mike absolutely shines on that track, to say the least.
Well I hope that you enjoy this record even a fraction of the amount that I do, it would be enough to change your life.
A runner up and probably Shadows’ favorite Dream Theatre record is Metropolis Part 2. It’s definitely very cinematic and has a touch of Elfman throughout.
Lemme know your thoughts in the comments, can’t wait to connect with you all on this beast
All my love,
SYN
:syngates:
Apple Music
Spotify
YouTube
This was another band introduced to me by Jimmy. He used to sneak a Walkman(look it up kids) to school and play me ridiculous shit in the bathroom. This one stood out as having the most incredible musicianship I had ever heard. I was 13 when he played this record for me and it changed the way I looked at guitar. I had no idea that what I was hearing could be accomplished on the instrument I had already spent years working on.
Dream Theatre is a progressive rock band that formed in 1985 in the halls of Berklee School of Music in Boston. There have been multiple lineups but the Images and Words cast comprise Mike Portnoy on drums, John Petrucci on guitar, James LaBrie on vocals, John Myung on bass, and Kevin Moore on keyboards.
John Petrucci has been one of my favorite guitarists rotating in my top 3 since the very day I heard this light show of a record way back in middle school. He certainly epitomizes my way of approaching the guitar more than any other player besides maybe my father - with an endless pursuit of technique and harmony only to facilitate a melody and composition first approach to solos and songwriting.
This motif and melody first approach has yielded some of my favorite solos of all time and couple that with the pyrotechnics weaving in and around these flawless melodies and motifs make for a perfect combination of music and cinema.
As a student of percussion as well, I was moved by how Mike Portnoy seamlessly and so fluidly supported all of these incredible riffs and time signatures in such a musical and cinematic way. And as smooth as this cat could play, he still managed to make the music heavy as fuck. Listen to Under a Glass Moon for one of the greatest grooves of all time. The entire record is a clinic on how a drummer can steal the show at no cost to his co stars and director.
If there was a dude that I would’ve done unspeakable things to sing like, it would be James LaBrie. The range, the soul, the technique, the texture, the everything. This dudes got it in spades. It’s such a slippery slope to not take these songs and turn them into overly dramatic novelty uber dramas. James does no such thing. Flawless victory.
John Myung is as gifted as the aforementioned. He doesn’t just support the band, he comes bearing gifts. I’ve transcribed thousands of difficult musical passages in my life and I still have no clue wtf he’s doing in Metropolis, part 1 at 5:40
And last but certainly not least, Kevin Moore on keys. Total stud and one of my favorite songwriters of all time. He wrote a lot of my favorite songs on this record. They’re all great songwriters but Kevin speaks to me on this record.
Lastly, some or many of you know that Mike helped us out when Jimmy passed in late ‘09. We were putting the final touches on Nightmare when our world was shattered. For a couple of weeks we had decided to not move forward as it wouldn’t be right without Jimmy. Two main components quickly changed our minds. The first was The Sullivan’s. Jimmy’s parents and sisters were like our parents and sisters. We grew up with them. We love them dearly. They told us we had no choice in the matter because Jimmy would’ve demanded that we continue on. The second was Mike Portnoy. I’m sure somebody spoke of it before me but I know that the choice was clear to everyone when the decision was made to move forward. We needed one of Jimmy’s favorites to lift us up and realize the dream of putting out Jimmy’s final work.
Much like Petrucci is the influence that speaks the loudest on my sleeve, Mike is arguably that for Jimmy and certainly the best contender to have executed Jimmy’s unique and brilliant vision for the record. Mike walked in, hung is ego at the door and spent countless hours copying meticulous kick patterns and fills without complaint.
Of all musical elements, style is by far the most difficult to emulate. He hung in there and didn’t stop until we were all beyond satisfied with the performance. Of course we had him do his thing across many of Jimmy’s unfinished drum demos and then fully unleashed the beast on the closer, Save Me. Mike absolutely shines on that track, to say the least.
Well I hope that you enjoy this record even a fraction of the amount that I do, it would be enough to change your life.
A runner up and probably Shadows’ favorite Dream Theatre record is Metropolis Part 2. It’s definitely very cinematic and has a touch of Elfman throughout.
Lemme know your thoughts in the comments, can’t wait to connect with you all on this beast
All my love,
SYN
:syngates:
Apple Music
Spotify
YouTube
I already know drums will catch my attention because MIKE. PORTNOY. The man has so much knowledge, technique, stage presence, and everything a drummer could ever wish 
Can't wait to come back here and share what I thought about it 
One of my favavourites, if not my favourite, from the album!!
But I watched it live from home!
