We're updating the community and moving all social content from the community to the Discord. All lessons related conversations will still take place here though! Join the Discord below and view the full announcement for more details
Love it, and always love a good PRS. Of course, ANY PRS is a good PRS. Only feedback I'd give is to pay closer attention to timing. You're coming in a bit early in some places, and that rushes the melody. That can be hard when there's a quick burst of legato - your subconscious wants to start early to make sure you finish in time, but the reality is backwards - it's more important to START on time than finish on time. I did a version of this about 5 years ago and I don't know that I've played it since. I'd be curious to see how much better I could do at it if I relearned it now.
Love it, and always love a good PRS. Of course, ANY PRS is a good PRS. Only feedback I'd give is to pay closer attention to timing. You're coming in a bit early in some places, and that rushes the melody. That can be hard when there's a quick burst of legato - your subconscious wants to start early to make sure you finish in time, but the reality is backwards - it's more important to START on time than finish on time. I did a version of this about 5 years ago and I don't know that I've played it since. I'd be curious to see how much better I could do at it if I relearned it now.
Won't disagree that the timing isn't perfect. It's partly because I don't play it note for note the way he does and partly because in order to hear my guitar on the recording I had to turn the song down so I couldn't hear it as well as I would have liked. Of course it's also 'cause I flubbed the last bit a little . I always tend to play the tap part faster than I need to and I have to force myself to keep it steady.