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JOIN THE DISCORD VIEW THREADFirst question, being able to do them on a whim when you improvise comes with time so yes if you know them that's enough for now.Hey guys. Pretend you’re a beginner going through these lessons... For now is it acceptable to just understand the theory of it? Instead of being able to just improv something or playing these scales by heart/changing positions on a whim? I think I’m understanding what these lessons have to offer. And I know my “shapes”. But if I had 5 seconds to be able to regurgitate a particular scale or chord at a particular position, I probably wouldn’t be able to.
And a general question- How much do people rely on looking at the fretboard? Should I try practising without looking at it/my fingers, or is it perfectly fine to do that at the start?
thanks!
Thanks a lot for this reply, it really means a lot, I've been playing for about 5 years, self-taught but I never cared to learn the musical theory, so I decided to go back and it just felt like a lot and it seemed like perhaps everyone was just as fluent as Brain Haner Sr. lol, at any rate, Thank you, and I hope I can grow as a musician over time, and good luck to you as well.Behind compared to what? to whom?...
It takes quite a bit of time to memorise scales and to be able to use them - I still have trouble with E shape one. I've been playing for 10 years...
One thing to remember is that they are shapes, taken from the basic chord shapes up the neck.
The important part is to always remember that you need to play the notes that are on the shape, shape of C, shape of E... and then fill the rest. Arpeggios help to get that... If I play my D shape, 1 note per string on the 3 first strings, on 5th fret, it still just looks like a D to me, but Im CAG-ing an F instead. Instead of seeing it as giant scales with many notes up and down, you can visualise blocks.
I personally haven't memorized all the scales, and I certainly don't play them up and down the fretboard with fluency - it would take ages to go to this level and I'd rather focus on other things. Just prioritise, if you wanna become a CAGED master then dedicate time for it, otherwise play around with the shapes you know and understand, and regularly go back to the lessons to work on the ones you're less comfortable with.
Thanks a lot for this reply, it really means a lot, I've been playing for about 5 years, self-taught but I never cared to learn the musical theory, so I decided to go back and it just felt like a lot and it seemed like perhaps everyone was just as fluent as Brain Haner Sr. lol, at any rate, Thank you, and I hope I can grow as a musician over time, and good luck to you as well.
Yep, time to jam up and practice.That's all? I saved them, TY! ^_^
Wow cool site
Just summed up all the CAGED arpeggios, pentatonic & major scales via https://www.editor.guitarscientist.com.
Thought it could be useful to you guys check em out
I took a peek at that lesson and it looks really interesting. I've played guitar for over 10 years and the CAGED method was unheard of to me until last year when I joined this community. But I can't wait to start getting deeper into the lessons so I can try to learn to play more freely.You learn more horizontal paths deeper in the lessons 3 2 3 and 2 3 2 penatonic for example
Caged system was new to me too. But wow is it ever a pattern to realize. It puts everything into perspective.I took a peek at that lesson and it looks really interesting. I've played guitar for over 10 years and the CAGED method was unheard of to me until last year when I joined this community. But I can't wait to start getting deeper into the lessons so I can try to learn to play more freely.
For the most part I have the patterns memorized I just have to burn it into my brain over the next week and also learn the arpeggios.Caged system was new to me too. But wow is it ever a pattern to realize. It puts everything into perspective.