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MUSIC THEORY - Lesson 9 - Simple music intervals

Andrew Milner

Campfire Attention Holder
  • Nov 11, 2019
    532
    1,235
    andreilucianmoraru.com
    10
    So you're telling me there's something simple in music for once?
    1. Topics of discussion
    2. Simple music intervals explained
    1. Topics of discussion

    In this tutorial, we will talk about simple music intervals. So, let's have some fun.

    2. Simple music intervals explained

    A musical interval is the difference in pitch between 2 notes. There are two types of such intervals:
    • simple - the ones we will be discussing in this tutorial, and their name comes from the fact that they are located within the same octave
    • compound - these ones are obtained by putting together two simple music intervals and they span two octaves
    Simple music intervals consist of two components:
    • a number which indicates how many different tones the interval contains
    • a quality which gives us the level of consonance the interval has (no one's gonna ask you about this so don't worry)
    Quality-wise, an interval can be one of perfect, major, minor, augmented or diminished. The last two are out of scope for this series, so we'll be focusing only on the first 3.

    We have a total of 8 simple music intervals that we are going to discuss. The first one is called the prime and it consists of a single note. In terms of interval quality, a prime is perfect:

    prime.png


    Basically, a prime is an interval between a note and...well...itself :). You can listen to a prime interval here.

    Next up is the second, which is the difference between two consecutive notes. Seconds can be either major or minor. Tone/semitone wise, a major second contains 1 tone, while a minor second contains 1 semitone. Here are some examples:

    second.png


    Here are the examples above, played back.

    Next up, we enter Avenged Sevenfold solo theory with the third. Similar to seconds, thirds can also be either major or minor. Major thirds contain 3 tones, each separated by the other by 1 tone, while a minor third has its tones separated by a tone and a semitone respectively. Here are some examples:

    third.png

    Here they are played back.

    As you can see, each and every interval is computed between two notes. The number giving us the name of the interval is based on how many pitches there are between the two notes, including them. In the case of the third, we have 3 tones: C, D, and E.

    The next interval is the fourth music interval. Unlike seconds and thirds, fourths are perfect, quality-wise. A perfect fourth consists of 2 tones and 1 semitone. A particularly interesting type of fourth is the tritone (which basically means it has 3 tones in it), which you'll undoubtedly notice when we play some examples in a bit:

    fourth.png


    No, you are not summoning anything when playing a tritone, though it can be used to insert a creepy factor in your songs. Old Doom songs do that a lot (the ones from the 1993 and 1994 games...and whenever Plutonia and TNT Evilution dropped).

    Here they are played back.

    Next up is the fifth musical interval. Similar to fourths, fifths are also perfect and they consist of 3 tones and a semitone. Here are some examples:

    fifth.png

    Here they are played back.

    Our next interval is the sixth. Sixths can be either major (4 tones and 1 semitone) or minor (3 tones and 2 semitones). Here are some examples:

    sixth.png

    Here they are played back.

    Our penultimate interval is the seventh. Sevenths can also be either major (5 tones and 1 semitone) or minor (4 tones and 2 semitones). Here are some examples:

    seventh.png

    Here they are played back.

    And finally, we have the octave. Octaves are perfect and they consist of 5 tones and 2 semitones. Here is an example:

    octave.png

    Here they are played back.

    Worth noting is that intervals can be either ascending or descending. More often than not, when referring to an interval, you'll usually refer to it in an ascending manner. However, as Papa Gates explained in his circle of 5ths video, you can also have descending intervals, where you try to compute the distance between two notes with the first note having a higher pitch than the second one.

    Intervals are important for a variety of reasons, but the most important one by far is that they help you form chords. We'll go through this process in a separate series but what you need to know is that intervals will be extremely useful when learning how chords are formed.

    And that's a wrap for this tutorial. Next time, we are going to talk about how major and minor scales are formed. See you then.
     
    Last edited:

    Autumn

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  • Nov 11, 2019
    61
    103
    Portland, Oregon
    3
    I think that an easy way to think about this or remember this is with the idea of a major scale. Follow along with the image below:

    guitar_intervals.jpg


    W=Whole Step
    H=Half Step

    The intervals for a major scale are: ROOT-W-W-H-W-W-W-H(OCTAVE).

    Think of these intervals at the 1st in the scale, 2nd, in the scale, 3rd, in the scale, etc. until the OCTAVE is the 8th in the scale.
    So, ROOT would be 1st, W step above that would be 2nd, W step above that would be 3rd, H step above that would be 4th, and so on and so forth.

    2nd, 3rd, 6th, and 7th in the MAJOR SCALE are the MAJOR intervals.
    4th and 5th in the MAJOR SCALE scale are the PERFECT intervals.
    Don't ask why yet, just go with it.

    So, as it shakes out:
    1st - ROOT note
    MAJOR 2nd - W step above your ROOT note
    MAJOR 3rd - W step above your MAJOR 2nd
    PERFECT 4th - H step above your MAJOR 3rd
    PERFECT 5th - W step above your PERFECT 4th
    MAJOR 6th - W step above your PERFECT 5th
    MAJOR 7h - W step above your MAJOR 6th
    OCTAVE (8th) - H step above your MAJOR 7th

    Seeing the pattern? Sweet! Now the only thing you need to know is that the MINOR intervals are a half step below (AKA flat) the MAJOR intervals.

    This makes it that:
    A MINOR 2nd is a H step below your MAJOR 2nd.
    A MINOR 3rd is a H step below your MAJOR 3rd.
    A MINOR 6th is a H step below your MAJOR 6th.
    A MINOR 7th is a H step below your MAJOR 7th.

    That covers all 12 intervals except the tritone. Fuck that interval.

    In conclusion, if you know your MAJOR scale on the fretboard, you can find the interval using the MAJOR scale as reference points. Works in any key, anywhere.
     

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