J
Jak Angelescu
Guest
Ooohhkay, buckle up kittens because this is going to be a little bit of a long post. I don't know where to start. Many of you know my backstory in music but just to recap for the purpose of new students and this post:
Even though I grew up in a musical family, I always had to play what my dad wanted me to play. All of my own music was usually made fun of, or he constantly wanted me to learn HIS style. Even though my brother was a drummer (and a fucking awesome one), I wasn't allowed to play with him unless I learned the songs he wanted to play by the time he got home from work. Needless to say, the shit he was wanting me to play at that age was completely impossible for me only being 13 with no teacher. Then I lost my bassist at age 17 because I couldn't (not wouldn't) play heavy music. Then came one fateful night of trying to learn Sweet Child O' Mine's solo (I already had the whole song learned in general) and I spent HOURS sitting on the bed with Holly on the floor watching me. Every mistake was agonizing. I felt she was watching me and judging my every move because I feared I wasn't going to be good enough.
In Los Angeles, as now you all mostly know, I was ALWAYS judged by my playing. And it wasn't just my playing, it was "Oh that's how YOU practice? That's not good enough." Or "You only practice two hours a day? HA! I practice TEN hours a day." And being in the rat race to try to join some sort of tribute band so I could be somewhat taken seriously (because that's how you were judged out there), I couldn't play Maiden. I struggled with Priest. I felt not good enough. Yet I did manage to land the spot in a Priest Tribute band.
At this time I didn't have the heart to tell Holly "I'm losing my love for the instrument."
Now flash forward to just last night:
I've been really discovering new guitarists and music I LOVE. Especially Sonata Arctica, Gus G and Bill Hudson. My mind just exploded with the sheer sexiness of these guys' speed, accuracy and more importantly musical knowledge. I watched Bill do a playthrough of a song from his band NorthTale and I sadly sank thinking, "Am I ever going to be able to play like that?" Because of my short fingers, I thought speed and reach was never going to happen. Until I saw Jayden Tatasciore. Then I knew better. But there's something I have that Jayden doesn't have. And that's a vagina and a pair of boobs. What I mean is that, ALL OF MY IDOLS ARE MEN. Every time I look at female 'shredders', they're heavily legato-based, when they DO shred with alternate picking they're incredibly sloppy (the great Kat), they speed up their videos (Tina S), or they only do quick bursts of fast licks. With men naturally having stronger fingers and hands (let's face it, they do), I was so upset thinking that maybe biologically I would never be able to do that.
Enter Li-Sa X
Not only is she a girl, she's now only 15 years old. She has impressed the greats like Paul Gilbert and Kiko Loureiro. She was playing one of Kiko's hardest songs at age 8. Is she a child prodigy? Some people could say yes. Until I watched this and found out her practice method. Bless Kiko for really breaking this down.
Lately I've been practicing for 4-5 hours a day. But to be honest it's fucking GRUELING doing it. I don't like it. My butt goes numb, my shoulders hurt. My brain becomes gel. And I have no time for anything fun. Guitar has become more work for me than anything and I hate it. My hands are always sore.
Jayden T also has stated he practices for roughly 2 hours a day. But the biggest thing I've taken away from this ties in what Syn told me. "It's mostly about finding the right things to practice and practice what you love and want to learn." This is what these two kids do. Granted, I'm also doing classical guitar so I'll probably need to spend about 3 hours.
Li-Sa has also composed her own music. And she openly admitted it was far more difficult than learning covers. But she's trying and she's succeeding. She's definitely my only female inspiration so far. I just love her. She and this video from Kiko really took a load off for me and I hope it does for you as well.
I'm looking forward to a fresh, new perspective on practicing today.
Even though I grew up in a musical family, I always had to play what my dad wanted me to play. All of my own music was usually made fun of, or he constantly wanted me to learn HIS style. Even though my brother was a drummer (and a fucking awesome one), I wasn't allowed to play with him unless I learned the songs he wanted to play by the time he got home from work. Needless to say, the shit he was wanting me to play at that age was completely impossible for me only being 13 with no teacher. Then I lost my bassist at age 17 because I couldn't (not wouldn't) play heavy music. Then came one fateful night of trying to learn Sweet Child O' Mine's solo (I already had the whole song learned in general) and I spent HOURS sitting on the bed with Holly on the floor watching me. Every mistake was agonizing. I felt she was watching me and judging my every move because I feared I wasn't going to be good enough.
In Los Angeles, as now you all mostly know, I was ALWAYS judged by my playing. And it wasn't just my playing, it was "Oh that's how YOU practice? That's not good enough." Or "You only practice two hours a day? HA! I practice TEN hours a day." And being in the rat race to try to join some sort of tribute band so I could be somewhat taken seriously (because that's how you were judged out there), I couldn't play Maiden. I struggled with Priest. I felt not good enough. Yet I did manage to land the spot in a Priest Tribute band.
At this time I didn't have the heart to tell Holly "I'm losing my love for the instrument."
Now flash forward to just last night:
I've been really discovering new guitarists and music I LOVE. Especially Sonata Arctica, Gus G and Bill Hudson. My mind just exploded with the sheer sexiness of these guys' speed, accuracy and more importantly musical knowledge. I watched Bill do a playthrough of a song from his band NorthTale and I sadly sank thinking, "Am I ever going to be able to play like that?" Because of my short fingers, I thought speed and reach was never going to happen. Until I saw Jayden Tatasciore. Then I knew better. But there's something I have that Jayden doesn't have. And that's a vagina and a pair of boobs. What I mean is that, ALL OF MY IDOLS ARE MEN. Every time I look at female 'shredders', they're heavily legato-based, when they DO shred with alternate picking they're incredibly sloppy (the great Kat), they speed up their videos (Tina S), or they only do quick bursts of fast licks. With men naturally having stronger fingers and hands (let's face it, they do), I was so upset thinking that maybe biologically I would never be able to do that.
Enter Li-Sa X
Not only is she a girl, she's now only 15 years old. She has impressed the greats like Paul Gilbert and Kiko Loureiro. She was playing one of Kiko's hardest songs at age 8. Is she a child prodigy? Some people could say yes. Until I watched this and found out her practice method. Bless Kiko for really breaking this down.
Lately I've been practicing for 4-5 hours a day. But to be honest it's fucking GRUELING doing it. I don't like it. My butt goes numb, my shoulders hurt. My brain becomes gel. And I have no time for anything fun. Guitar has become more work for me than anything and I hate it. My hands are always sore.
Jayden T also has stated he practices for roughly 2 hours a day. But the biggest thing I've taken away from this ties in what Syn told me. "It's mostly about finding the right things to practice and practice what you love and want to learn." This is what these two kids do. Granted, I'm also doing classical guitar so I'll probably need to spend about 3 hours.
Li-Sa has also composed her own music. And she openly admitted it was far more difficult than learning covers. But she's trying and she's succeeding. She's definitely my only female inspiration so far. I just love her. She and this video from Kiko really took a load off for me and I hope it does for you as well.
I'm looking forward to a fresh, new perspective on practicing today.
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