• Join the A7X Discord!

    We're updating the community and moving all social content from the community to the Discord. All lessons related conversations will still take place here though! Join the Discord below and view the full announcement for more details

    JOIN THE DISCORD VIEW THREAD

THE DIRECTOR’S CUT by Fantomas

:syngates:Happy Halloween family! This months #AOTM is The Director’s Cut by the great Fantomas, truly a great listen in the spirit of the season. This project is fronted by Mike Patton of Mr. Bungle and backed by an all star lineup comprising Dave Lombardo of Slayer on drums, Buzz Osbourne of The Melvins on guitar, and one of my top two fav songwriters of all time in Trevor Dunn of Mr. Bungle on bass(the other being P Mac).

This album is so fucking cool because Dirty Mike and the boys reinvent some of my fav soundtracks of all time. Classics like The Omen, Rosemarys Baby, The Godfather, and more. In fact, the entire album is a cover album that packs a serious punch. Not recommended for the faint of heart ;)

I’ll keep it short and get at ya in the comments but PLEASE, go listen to the originals after you finish the record. This one is a clinic on reinvention, arrangement, and production. Enjoy.

All my love,

SYN
:syngates:

Apple Music
Spotify
YouTube

Synner Songs of the week!

Hey all! Over on the Synner Instagram page (@ Synnerofficial) we’ve started posting a new song of the week each week in the stories. These are unrelated to the AOTMs or anything like that, it’s just a fun thing we’ve begun doing to hopefully inspire some discussions here and hopefully give you some new tunes to check out!

We’re keeping track of them on the “SYNNERs Song of the Week playlist” which will be updated weekly here: Login to view embedded media
This weeks song is “The Heart Collector” by Nevermore! Have you heard the song before? Do any parts of it stand out to you musically? Feel free to discuss and break it down along with the last few previous SOTWs below! 🤘

Advanced Gypsy jazz scales

I figured I'd share with you some of the scales I like to use when playing gypsy jazz. I'm leaving out modes because I'm a lazy fuck

My main ones are the following

Harmonic minor which I typically use on minor chords

Natural major which I uses over major chords (sweet Georgia brown and djangology are probably good examples for just G major scale)

Double harmonic major over dominant chords sounds really good to me


As a bonus I mostly base everything of arpeggios and my go to one are typically m9, basic triads over most chords and diminished and sometimes augmented arpeggios over dominant chords.


Other options you could use are things like melodic minor, super locrion, diminished scale and augmented scale but typically I don't use that often because for whatever reason my ear doesn't dig them so much 😅

Being Back On The Site...

Hey everyone! I just wanted to give a bit of a warning going forward, and I know not everyone will see this but I'm putting this disclaimer up, and maybe the mods or admins can chime in about this....

One of the reasons why I stopped giving feedback is the emotionally charged bag of excuses and ego trip-based responses I'd get in return. No matter how nicely I'd put things or how many great things I'd say, I'd still get excuses and defensive responses. Not everyone did this, but it started to get to where I wanted to say "Fine, fuck it. Keep making mistakes then." And I started to feel like it was a waste of my time. So if you post up a riff, EXPECT CRITICISM IN SOME WAY FROM ME. You can't handle the things I say? I don't care. Suck it up. You're going to hear it anyway. I've never been rude to anyone on here and after having so many private lessons and even spending a hell of a lot of time on another school, I have learned so much that I can't wait to share it with you all.

Now I'm not saying I'm going to be a bitch. And there's a time and a place for criticism. Like if you're clearly a beginner and you're working hard and fumbling through something, or if you've learned something TRULY difficult, you'll just get a big sense of praise from me. But if I can tell you're a seasoned player and there's just some minute tweaks I see you could do, or if you really need help, I'll speak up.

Anyway, if I ever come off abrasive, know that I really don't mean it. I just got fed up with sugar coating things and still having people getting emotional and stepping on my face. So there you have it. If Captain Ed can take my criticism on the chin, you can too.

The End.

  • Question
When Is It Time To "Move On" With What You're Practicing?

Hey there Synners!

I'd like to hear everyone's feedback about "when it's time to move on." I've been researching and on another school I learned "When you start getting bored, it's time to move on." But I'm not necessarily getting BORED, but I'm practicing a really difficult solo that's well beyond my ability. And I'm caught between "moving on" means "quitting" and "moving on" means "it's no longer really fun."

I've been practicing this for almost a month now. And it's one spot that's about 2 measures long. There's a LOT of fast sixlets in the solo (it's not Scream), and I can play about 90% of the solo up to speed but I really want to be able to do this. But it seems like I'll be stuck on this for years and it'll consume a lot of my practice time. Is it time to move on and do something different? Thanks in advance!
  • Like
Reactions: Matt Wildcat

Any good A7X presets for Bias Amp 2/ Bias FX 2?

Hi,

I was trying to find some good presets but well, could not find anything good with Bias FX 2 so I think the best way would be to create an amp with Bias Amp 2 which will get close to what Syn was using.

Did anyone have tried to achieve some good/interesting results with Bias amp 2 and/or Bias Fx 2?
I know that Bias Amp 2 have amp modeling feature but in order to get some good result, isolated guitar track would be needed and it not an easy thing to find :).

  • Solved
How Do I Write A Bio?

Wow, I'm trying to get this up and going again and a lot has changed. Are we not able to write a bio anymore? I remember we had like where we were from, a little bit about us, and how long we have played guitar. I can't figure out how to do that now.

SYNVENGERS, @Ed Seith @Radu-Cristian Perde @Alicia Willis @Jamie London @Millie Imber ASSEMBLE and help me out! :ROFLMAO: (I had to add Jamie in as a Synvenger,lol)

Syn Gates custom shop guitars

Since everyone is pretty hyped about the Black Moon guitar, you guys should definitely check out the Instagram page and official website of the music store Drumguitarcityland, because they have very interesting Synyster Gates USA custom shop guitars for sale (f.e. a Joker guitar). And since they are USA ones, these are probably the best Syn Gates guitars when it comes to quality.

How many chord do you need to write a song?

So, I love chords and typically I do key changes and all the other shenanigans when I write a song. However, this afternoon in the bus Eleanor Rigby came on and I thought to myself since I'm changing strings on my two main electric guitars I think I'm gonna try learning it tonight.

Now I'm learning it and the thing I notice is that the whole song pretty much is Em C or C Em depending on which part you're looking at.

I mean there are some variations for Em like Em7, Em6 and EmAug but the core is really just the Em and C and that absolutely baffles me because that song is simply one of the most beautiful songs I've ever heard (and the instrumental is all Cello I believe) and the harmony is so simple.

Long story short, keep it simple 😅
  • Like
Reactions: Chris Johnston

  • Solved
How do I teach someome play guitar?

I've been asked to teach my cousin play guitar. It's a one time thing. He has never played before. I figured I could teach him two chord shapes and the pentatonic, but after that I get lost. He probably is going to want to see an example or play a song, my mind will go blanc.

What should I show him as an introduction to guitar? All advice is welcome

Super saddened

So March 15th I ordered the schecter syn golden goddess guitar from his site. After hearing nothing from support I messaged them and was notified the last 3 golden goddess guitars were damaged beyond repair. I am so sad as I was super excited to have something signed by @Syn Gates himself. They are unsure if another will be made either. I knew I should have spent extra and got the limited edition dark knight. Welp rant over. Time to be sad for the next week

Happy Birthday Jamie!!

I would like to invite you all to wish the happiest of birthday to our dear Social Media master, Jamie London!!

Does he have this name because he was born in London, Ontario, Canada? Unfortunately, no. It's just because it really sounds fucking cool.
But I do want to say how thankful I am to him and to everything he does for the Synner in general. He works tirelessly everyday to give life to this school through our socials and I know for a fact that it's not at all an easy job. But I also know that he's fucking crushing it and that we are REALLY lucky to have him in our team.

And so I raise my glass to you Jamie and wish you a happy birthday and only the very best because that's what I think you deserve! 🥂

To many more years!!!

jamie.png

  • Question
Playing guitar with ear issues.

So recently I have been experiencing diplacusis, or double hearing. The hearing in my right ear is extremely pitched as opposed to my left ear, and it throws sounds off and makes everything sound weird and strange, especially with music, with this music sounds extremely pitched and out of tune. As you can imagine this also throws my guitar playing off as everything sounds off and out of tune, despite my guitar being perfectly in tune and everything sounding in tune to everybody else. I have been dealing with this for about a week or so and it has been driving me crazy. I was just wondering if there were any tips to help while playing, because it has been driving me up the wall this last week. Thank you for any help in advance.
  • Like
Reactions: ari.mac

Story Time: Robert Johnson and the deal at the crossroad.

Hello Synners, I hope your month of October is going well and that you start feeling the fear emanating from the shadows of that one corner in your room!

In the good spirit of spooktober, I wanted to share with you one of the strangest story that involves both music and mystery! And without further ado, let me introduce you all to Mr Robert Johnson:

Robert_Johnson.png


Robert Leroy Johnson, born on May 8th 1911, was a blues guitarist, singer and songwriter who's legacy still to this day remains draped in uncertainty and mystery yet his influence on generations of musician is still very much felt. He grew up in Memphis which is where he acquired much of his love and knowledge for the blues and music in general while his older brother was teaching him how to play guitar! He was also known to play the harmonica and jaw harp at school.

After some years, he returned to the Mississippi Delta to rejoin his mother and work on the fields as it was common back then but... he decided otherwise. He wanted to be a musician and that's it! But at the same time, love also came in the way. At 19 years old, he married Virginia Travis who made him promise to stop playing music as back then, it was seen as an act of devil worshipping because, the blues was thought to be the devil's music! (Does that sound familiar?). And so, her family wouldn't let her marry him if he played music. Out of love, he agreed. Unfortunately, fate decided otherwise for Robert. A year later, Virginia dies in childbirth.

And so Robert took back his guitar and started playing again. Particularly, Robert was a big fan of blues legend Son House who happened to have been a neighbour of Johnson. Of course, the latter would play guitar in front of Son House and Son House was quoted as saying: “such a racket you’d never heard!… ‘Get that guitar away from that boy,’ people would say, ‘he’s running people crazy with it.’”

Now this is where the spooky part comes in: Johnson left to travel across the Delta after this and came back 2 years later and met again with Son House and asked to play again for him. Son House not expecting much allowed him to do so but he and everyone in that room were soon blown away by his performance! They just could not believe what they were hearing. When asked about how he improved so much in that time, Johnson simply said: ''I was walking with my guitar on my back in clarksdale and reached a crossroad. I was really tired and almost falling asleep but then a cold wind came out of nowhere and so I raised my head and saw a tall black silhouette with a tall hat. I didn't know what it was and I was paralyzed. Without saying a word, the silhouette took my guitar, tuned it, gave it back to me and disappeared in the night.''

From that moment on, Johnson became a simply amazing guitar player. He developed his own playing style and was simply an outstanding musician! The thing to note about him is that he was a crowd pleaser and played the song that the people requested him to play, even going as far as memorizing them on the spot, just as much as playing his own growing repertoire!

Johnson did 2 recording sessions: one in 1936 where he recorded 16 songs and another in 1937 where he recorded 13 others for a total of 29 songs recorded during his career. Here is a special one if you pay attention to the lyrics ;)

Login to view embedded media
Robert Johnson passed away on August 16 1938 at the age of 27. His death not being reported publicly, he merely disappeared from the historical record and it was not until almost 30 years later that a musiciologist found his death certificate, which listed only the date and location, with no official cause of death. Some of the stories surrounding his death go from being poisoned by a jealous husband (he loved the ladies) to as far as the devil himself coming to claim his soul for the gifts he gave him at the crossroads.
To add even more to the mythos, still to this day we don't know where he is buried as there are 3 different graves with his name on it.

Oh and a little detail to add about him. As you see, he passed away at age 27 and he is the earliest member of the infamous 27 club... I will leave it at that!

Now of course with nowdays ressources, it seems people have filled in some gap in his history but... I like to believe in a little paranormal and it only adds to his legend so I'll keep it the way I know it!

In conclusion, Robert Johnson's legacy is uncontested. While listening to his recordings, it is important to take the context and the possibilities of the time as his music and style is revolutionary and has inspired modern music legends such as: the rolling stones, Eric Clapton, Robert plant, Fleetwood Mac, Bob Dylan... too many to name. And anyone influenced by the names I just dropped are then indirectly influenced by Johnson. Needless to say that his legacy, as much is music as the folklore, goes down in history and leave him remembered as The King of the Delta Blues.

💀Happy October 👻

Filter

Members online

No members online now.

Want to stream? Send us your idea!

Start a conversation below with @Radu-Cristian Perde and send us your idea for your stream

SEND YOUR IDEA